“Two Princes” by Spin Doctors is an iconic song that defined the 90s rock scene. Released in 1991, this track quickly climbed the charts and became a sing-along staple, instantly recognizable for its catchy melody and Chris Barron’s distinctive vocals. But beyond the infectious tune, the “Lyrics Spin Doctors Two Princes” tell a tale of love, choice, and a bit of social commentary. Let’s dive deeper into the meaning behind these famous lyrics.
One, two princes kneel before you
That’s what I said now
Princes, princes who adore you
Just go ahead now
The song immediately sets the scene: a woman is being courted by two suitors, both referred to as “princes.” This isn’t necessarily about royalty in the literal sense, but rather about men who are presenting themselves as desirable partners. The repetition of “princes” emphasizes the abundance of choice she has, or at least the perceived abundance.
One has diamonds in his pockets
That’s some bread, now
This one said he wants to buy you rockets
Ain’t in his head, now
This one he got a princely racket
That’s what I said now
Got some Big Seal upon his jacket
Ain’t in his head now
Here, the lyrics contrast the two princes. One is materially wealthy, offering “diamonds” and a comfortable life (“that’s some bread”). The other is more extravagant, promising “rockets,” suggesting grand, perhaps unrealistic, gestures. The phrase “princely racket” and “Big Seal upon his jacket” could imply status and connections, perhaps even a hint of superficiality or trying too hard to impress. The repeated “Ain’t in his head, now” is intriguing. It might suggest that neither prince is truly thinking deeply or genuinely about the woman, but rather focusing on outward displays of affection and status.
You marry him, your father will condone you
How ’bout that now
You marry me, your father will disown you
He’ll eat his hat, now
This is where the social conflict becomes clear. One prince is the father’s preferred choice, likely due to his wealth and status (“father will condone you”). The singer, presumably the second prince, is the less conventional option, the one that would lead to familial disapproval (“father will disown you”). The line “He’ll eat his hat, now” is an idiom signifying surprise and strong disapproval, emphasizing the father’s likely negative reaction.
Marry him or marry me
I’m the one that loved you baby can’t you see?
Ain’t got no future or family tree
But I know what a prince and lover ought to be
I know what a prince and lover ought to be
This is the emotional core of the song. The singer pleads his case, asserting that despite lacking the material wealth and social standing of the other prince (“Ain’t got no future or family tree”), his love is genuine. He believes he understands what it truly means to be a “prince and lover,” suggesting that it’s about more than just superficial displays and societal approval. This part of the “lyrics spin doctors two princes” highlights the timeless conflict between love and societal expectations.
Said if you want to call me baby
Just go ahead now
And if you like to tell me maybe
Just go ahead now
And if you want to buy me flowers
Just go ahead now
And if you like to talk for hours
Just go ahead now
These verses showcase the singer’s approach to love: open, accepting, and focused on connection. He encourages the woman to express herself freely, whether it’s through terms of endearment (“call me baby”), indecision (“tell me maybe”), or simple gestures of affection (“buy me flowers,” though likely meant figuratively in this context). “Talk for hours” emphasizes the value he places on communication and emotional intimacy.
The repetition throughout the song, especially the chorus and these “go ahead now” verses, contributes to its catchy and memorable nature. It reinforces the central themes and the singer’s persistent, almost pleading tone. The “lyrics spin doctors two princes” ultimately present a timeless dilemma: choosing between societal approval and material comfort versus genuine love and personal connection. The song’s enduring popularity lies in its relatable theme, infectious energy, and the distinctive vocal delivery that made “Two Princes” a 90s classic.
