Series ten of Doctor Who marked a fascinating chapter in the show’s long and storied history, and the episode “Extremis” stands out as a particularly compelling example of its strengths. Instead of rushing into action, writer Steven Moffat expertly employed a slower, more deliberate pace in “Extremis,” which ultimately enriched the narrative and heightened the sense of mystery. This episode, while initially presented as a standalone story, cleverly laid the groundwork for a larger, three-part arc, showcasing the benefits of extended storytelling in modern television.
“Extremis” is not defined by explosive set pieces or overwhelming visual effects. Its power lies in its deceptively simple yet profoundly unsettling premise: a test run for a catastrophic event. This concept is a refreshing departure from typical Doctor Who narratives where alien invasions are often thwarted by last-minute ingenuity. Here, the antagonists, still shrouded in secrecy at this point, are meticulously rehearsing their plan. This chillingly efficient approach elevates the stakes and suggests a formidable threat unlike any the Doctor has faced recently. The very fact that the Vatican, an institution with centuries of experience in dealing with the unexplained, is involved underscores the gravity of the situation presented in “Extremis”.
Adding another layer of complexity to the narrative is the Doctor’s impaired state. Still grappling with his blindness, a consequence of previous adventures, this iteration of the Time Lord is visibly vulnerable. His willingness to expend his own future just to temporarily regain his sight emphasizes his desperation and the severity of the crisis. Peter Capaldi’s portrayal in “Extremis” is particularly nuanced, capturing a Doctor who is both determined and subtly afraid. While the initial reluctance to disclose his blindness to Bill might have seemed slightly contrived, Nardole’s explanation – that acknowledging it aloud makes it undeniably real – adds a layer of emotional depth and resonates with the Doctor’s often-guarded nature. Director Daniel Nettheim deserves praise for effectively translating this vulnerability to the screen, visually emphasizing the Doctor’s weakened condition.
The Doctor’s impairment in “Extremis” cleverly shifts the dynamic, placing Nardole and Bill in more prominent roles. Nardole, in particular, truly shines as a capable surrogate for the Doctor. His deductive skills and problem-solving abilities are on full display, revealing a competence that goes beyond comic relief. The subtle reveal of River Song’s influence on Nardole’s unwavering loyalty to the Doctor adds an intriguing backstory element, enriching his character. Matt Lucas’s performance in series ten, and specifically in “Extremis”, demonstrates a significant growth, solidifying Nardole as a valuable and multifaceted companion. His comedic timing, exemplified by his reaction to Bill’s “badass” question, provides perfectly placed moments of levity amidst the unfolding tension.
The unexpected appearance of The Pope in “Extremis” provides another comedic highlight, showcasing the episode’s ability to blend serious stakes with moments of humor. Bill’s date being hilariously interrupted by the Pope’s arrival in her kitchen is a classic Doctor Who moment, injecting a relatable and funny scenario into an otherwise high-stakes narrative. This scene exemplifies the show’s knack for grounding fantastical elements in everyday situations, making the extraordinary feel surprisingly ordinary and vice versa. “Extremis”, therefore, masterfully balances suspense, character development, and humor, making it a standout episode within the compelling context of Doctor Who Series Ten.
