Spin Doctors’ hit song “Two Princes” is more than just a catchy 90s tune; it’s a narrative ripe with interpretation, particularly when examining its unique scat section. This seemingly nonsensical vocal interlude actually marks a pivotal shift in the song’s dynamic, musically and lyrically depicting a power struggle between two metaphorical “princes” vying for affection.
In the song’s initial verse, we hear a relatively balanced exchange between “Prince 1” and “Prince 2.” This first prince, while perhaps not as wealthy as his rival, holds his own, suggesting a competition on somewhat equal footing. However, the subsequent verse reveals a stark contrast. Prince 1 descends into self-pity and depression, seemingly conceding Prince 2’s superiority and resorting to guilt-tripping tactics to win over the desired individual. This dramatic shift in Prince 1’s demeanor begs the question: what occurs in the brief scat section to so thoroughly dismantle his confidence?
While the scatting might appear to be mere vocal improvisation, within the context of this song, it can be interpreted as a metaphorical duel, a musical fencing match where Prince 2 decisively defeats Prince 1. The opening line, “Di bi bi bip di bi bi bi di,” can be seen as Prince 1’s initial aggressive lunge, a swift, albeit risky, attack aimed at his opponent. This energetic start suggests Prince 1 is eager and ready to fight for attention.
However, Prince 2 proves to be a formidable adversary. The second line, particularly the “di-di-le-di” segment, illustrates a parry, a deflection of Prince 1’s advance. It’s not just a block; it’s a strategic maneuver, suggesting Prince 2 is not only defensively sound but also capable of turning the tables. This parry effectively neutralizes Prince 1’s initial momentum.
Then comes the overwhelming assault: “ba da ba da ba da ba.” This relentless and unflinching barrage represents Prince 2 seizing control. It’s a display of superior skill and strength, leaving Prince 1 unable to effectively defend himself. This section of the scat is crucial as it signifies the point of no return for Prince 1; he is outmatched and overpowered.
The final line, “Da ba da ba da ba da ba da ba,” serves as Prince 2’s definitive assertion of dominance. It’s the crushing blow, the musical equivalent of a knockout punch. This concluding phrase resonates with finality, leaving no doubt about the outcome of this lyrical battle. The scat section, therefore, is not just random syllables but a carefully constructed sonic representation of Prince 2’s decisive victory over Prince 1.
This metaphorical “massacre” within the scat section directly reflects the defeated and dejected tone of the verses that follow. Prince 1 is forced to confront the reality of his position as the “lesser” prince, a stark contrast to the initial bravado. Through this innovative use of scat singing, Spin Doctors cleverly encapsulates a narrative of rivalry and defeat within the larger context of “Two Princes,” adding layers of depth to what might initially seem like a straightforward love song.
